Randolph Stanley Hewton, born in 1888 in Megantic, Quebec, is a celebrated figure in Canadian art history, known for his masterful figure and portrait paintings. Hewton's journey from a small-town upbringing to becoming a key figure in Canadian art reflects a life dedicated to creativity, resilience, and leadership, both on and off the canvas.
Early Life and Artistic Training
Hewton's early years were spent in Lachine, near Montreal, where he first developed an interest in art. In 1903, he began formal training under William Brymner at the Art Association of Montreal, a pivotal moment that set the stage for his future in the arts. His talent was quickly recognized, earning him the prestigious Wood Scholarship, which allowed him to pursue further studies in Paris.
In Paris, Hewton attended the Académie Julian, studying under Jean Paul Laurens from 1908 to 1910, and later under Caro Drevaille until 1913. Paris, a hub of artistic innovation at the time, exposed Hewton to the latest developments in modern art, influencing his style and approach. During this period, he also established a studio, where he began to develop his distinctive voice as an artist.
Friendship and Collaboration with A.Y. Jackson
While in Paris, Hewton forged a lifelong friendship with fellow Canadian artist A.Y. Jackson. The two artists frequently collaborated, with Jackson staying at Hewton's studio during his visits to the city. Their joint exhibition in Montreal in 1913, however, was met with harsh criticism. The conservative art community of the time was not receptive to the French influences in their work, and the exhibition was financially disappointing. Despite these setbacks, both artists remained committed to their craft.
Military Service and Artistic Resilience
With the outbreak of World War I, Hewton enlisted in the 24th Battalion, while Jackson joined the 60th. Hewton later transferred to the 7th London Regiment, where he was commissioned and eventually awarded the Military Cross for his gallantry during the Somme offensive in 1918. His friends had doubted his ability to endure the harsh realities of war, but Hewton proved them wrong, displaying remarkable resilience.
Even amidst the horrors of war, Hewton's artistic spirit endured. During a week's leave, he produced vigorous drawings of the battlefields, capturing the devastation with a stark realism that Jackson later praised.
Post-War Career and Leadership
After the war, Hewton returned to Canada and initially worked for his uncle's company, Miller Brothers, a paper box manufacturing firm. He eventually became President of the firm in 1921, demonstrating his leadership and business acumen. That same year, he was elected an Associate of the Royal Canadian Academy, further cementing his status as an important figure in Canadian art.
Despite his business responsibilities, Hewton remained deeply involved in the art world. He served as Principal of the Montreal Art Association from 1921 to 1924, but the opening of the École des Beaux-Arts in Montreal led to the closure of the Art Association school. Hewton returned to Miller Brothers, continuing to paint in his spare time.
Artistic Contributions and Legacy
Hewton's greatest contributions as a painter lie in his figure and portrait works. His portraits are celebrated for their strong, free lines and the way they capture the essence of his subjects. One of his most famous works, "Benedicta," is a portrait of his wife, Isobel Monk, set against the backdrop of the St. Lawrence River. The painting combines the classical grace of the old masters with a modern sensibility, earning it widespread acclaim.
Throughout his career, Hewton painted portraits of notable figures, including Mrs. Vincent Massey, Lionel and Hart Massey as young boys, and A.Y. Jackson. His works are held in high regard and are part of major collections, including the National Gallery of Canada, the Art Gallery of Ontario, and the Quebec Provincial Museum.
In 1933, Hewton moved his firm to Glen Miller, Ontario, where he continued to paint and occasionally exhibited his work. His contributions to both the business world and the arts were recognized by his peers, and he was a founding member of the Canadian Group of Painters, a testament to his influence and leadership in the Canadian art community.
Conclusion
Randolph Stanley Hewton's life and work exemplify the intersection of artistic talent and leadership. Despite facing challenges and criticisms, Hewton remained true to his artistic vision, contributing significantly to the development of Canadian art. His legacy endures in the vibrant portraits and figure studies that continue to captivate audiences, reflecting the depth and breadth of his creative spirit.
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